We know, most everything new in film and video is usually met with a solid level of trepidation and often mistrust. And, sadly, likely for good reasons, too, as there have been many filmmaking revolutions that have been promised but have fizzled out.
We know, most everything new in film and video is usually met with a solid level of trepidation and often mistrust.
And, sadly, likely for good reasons, too, as there have been many filmmaking revolutions that have been promised but have fizzled out.
Or worse yet, new revolutions threaten the very existence of filmmakers themselves.
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We know, most everything new in film and video is usually met with a solid level of trepidation and often mistrust. And, sadly, likely for good reasons, too, as there have been many filmmaking revolutions that have been promised but have fizzled out. Or worse yet, new revolutions threaten the very existence of filmmakers themselves.
Thankfully, they usually said yes, so I've been finding my way toward this for a long time. I moved into directing about three years ago through Catalyst Film Collective, where my script for At Skyview Enterprises received a grant and I had the chance to direct it. The film later premiered at Screamfest LA in 2024 and serves as a proof of concept for my feature Death After Dark.
What got you into filmmaking in the first place?
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