Buzzmag iconBuzzmagSep 2, 2026 ~3 min source read

Burlesque stage adaptation: a glittery, revised take that stands apart from the film

Touring adaptation of the 2010 film opened at Wales Millennium Centre with energetic musical numbers, rewired character arcs, strong leads and a brief technical pause — enjoyable on its own terms though the reviewer still prefers the movie.

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Useful takeaways from this story.

The musical reshapes the film’s plot and character journeys rather than recreating the movie beat-for-beat.

Faye Brookes (Tess) and Gracie O’Brien (Ali) give the production its strongest performances.

Christina Aguilera is credited as executive producer but neither Aguilera nor Cher appear onstage.

# What this review covers

The production keeps the familiar setting of the Burlesque Lounge and many recognisable characters, but it deliberately redirects relationships and character arcs. The book feels rewritten for stage logic rather than attempting a literal recreation of the movie plot. The reviewer initially resisted the changes and found moments of instinctive comparison with the film, but ultimately judged the stage version as its own interpretation.

# Performances to watch Faye Brookes as Tess is described as warm and full of personality. Gracie O'Brien as Ali earns particular praise for a strong, confident vocal performance and stage presence. The casting anchors the production: the leads provide both character warmth and vocal power that help the show succeed as live entertainment.

# Musical numbers and production values The big numbers are loud, glamorous and packed with glitter. The choreography, energy and staging brought back a cinematic feeling for the reviewer, and the musical set pieces are highlighted as the production's main triumph. Overall staging and spectacle aim for showbiz gloss consistent with the Burlesque brand.

# Technical interruption and pacing A technical fault interrupted the first act and halted the show for around 15 minutes. The cast returned professionally and maintained momentum, but the pause was a practical frustration in the moment.

# Comparison with the film and final verdict The reviewer, a self-described diehard fan of the movie, would still choose the film over the musical but left the theatre genuinely entertained and pleasantly surprised. The concise verdict: this stage Burlesque is not the film, nor does it try to be — it is a fresh, fun and fabulous take on its own terms.

# Practical details noted by the reviewer

  • Venue: Wales Millennium Centre, Cardiff Bay
  • Run: Tue 1 Sept – Sat 5 Sept (specific run noted for this engagement)
  • Ticket prices listed in the review: £22–£88
  • Review author: Cati Flores Davies

# Why this matters for prospective theatregoers If you expect a beat-for-beat stage reproduction of the film you may be disappointed. If you want a high-energy, visually flashy musical with strong lead performances and updated storytelling tailored for the stage, this adaptation is likely to entertain. The show navigates a short technical hiccup professionally, and ticket prices vary across a broad range suitable for different budgets.

More context around this story.

‘Stuffed’ Review: Jodie Comer & Harry Melling Give Their All To A Macabre Musical That Comes Apart At The Seams [TIFF]
Theplaylist iconTheplaylistSep 12, 2026

‘Stuffed’ Review: Jodie Comer & Harry Melling Give Their All To A Macabre Musical That Comes Apart At The Seams [TIFF]

Live-action musicals written directly for the screen remain a rare breed unless they are sequels or prequels (see “ Mary Poppins Returns ” or “ Wonka ”). The most successful recent examples include “ La La Land ” (2016), “ The Greatest Showman ” (2017), “Annette” (2021), and “ Emilia Pérez ” (2024). Now comes the kooky

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