Carlo Lizzani rebuilt the festival's reputation in part by rejecting the divide between experimental and commercial cinema, a radical move that helped it regain its international standing.
Carlo Lizzani rebuilt the festival's reputation in part by rejecting the divide between experimental and commercial cinema, a radical move that helped it regain its international standing.
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Carlo Lizzani rebuilt the festival's reputation in part by rejecting the divide between experimental and commercial cinema, a radical move that helped it regain its international standing.
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