Tyler Cowen’s recent dive into Ingeborg Bachmann: Malina, letters, biography, and adaptations
A concise account of what Cowen read, which Bachmann works and related materials he’s exploring, and why he finds her work unexpectedly powerful in German.

A concise account of what Cowen read, which Bachmann works and related materials he’s exploring, and why he finds her work unexpectedly powerful in German.

Cowen found Ingeborg Bachmann’s 1971 novel Malina more compelling in German and judged it deeper than many famous 19th-century Victorian novels by women.
He is reading extensive letter collections—especially her correspondence with Max Frisch—and plans to continue through related volumes with Paul Celan and Hans Werner Henze.
Recent and forthcoming secondary materials include Dieter Burdorf’s biography Dieses unruhige Ich and new English editions: a November translation of the Frisch letters and a fall edition of Bachmann’s short stories.
You've been successfully added to the Marginal Revolution email subscription list. Recently I finished read Malina, by Ingeborg Bachmann, an Austrian novel published in 1971. I was pretty stunned by how good it was (it seems less good in English), and I would say I enjoyed it more, and found it deeper, than any of the famous 19th century Victorian novels by women.
After four hundred pages, with another 180 or so to go, I still am not bored. She also has letters volumes with Paul Celan and Henze, those are in my pile too. (She and Henze were just friends.) And just this year there was a wonderful new biography of Bachmann, namely Dieter Burdorf's Dieses unruhige Ich:
It is called "Wir haben es nicht gut gemacht." Der Briefwechsel. One sees connections between the letters and the unfolding of Malina. We haven't even gotten yet to Volker Schlondorff, have we?

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