Light gets talked about like it comes in two flavors, good and bad, and that framing quietly limits what you shoot. Treating every kind of light as workable, rather than sorting it into keepers and mistakes, opens up scenes most people walk past.
Light gets talked about like it comes in two flavors, good and bad, and that framing quietly limits what you shoot.
Treating every kind of light as workable, rather than sorting it into keepers and mistakes, opens up scenes most people walk past.
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Light gets talked about like it comes in two flavors, good and bad, and that framing quietly limits what you shoot. Treating every kind of light as workable, rather than sorting it into keepers and mistakes, opens up scenes most people walk past.
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