The release puts the same ACES 2.0-based pipeline and direct on-image grading into all four hosts, with no round-trip to a separate grading application. For editors who have long treated color management as an afterthought in their NLE, this release targets exactly that gap.
The release puts the same ACES 2.0-based pipeline and direct on-image grading into all four hosts, with no round-trip to a separate grading application.
For editors who have long treated color management as an afterthought in their NLE, this release targets exactly that gap.
The plug-ins bring the full CineDream toolset into each host: camera and input profile selection for Log and non-Log footage, ACES 2.0-based color management under the hood, and controls for exposure, skin...
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The release puts the same ACES 2.0-based pipeline and direct on-image grading into all four hosts, with no round-trip to a separate grading application. For editors who have long treated color management as an afterthought in their NLE, this release targets exactly that gap. The plug-ins bring the full CineDream toolset into each host: camera and input profile selection for Log and non-Log footage, ACES 2.0-based color management under the hood, and controls for exposure, skin tone, density, contrast, film […]
The plug-ins bring the full CineDream toolset into each host: camera and input profile selection for Log and non-Log footage, ACES 2.0-based color management under the hood, and controls for exposure, skin tone, density, contrast, film […]
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