Japanese writer-director Hirokazu Kore-eda has long made space for children's perspectives and feelings in his work. Even beyond "Nobody Knows," which follows four half-siblings living without their parents, his filmography features countless examples of taking young generations as seriously as older ones in his ensembles.
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Japanese writer-director Hirokazu Kore-eda has long made space for children's perspectives and feelings in his work.
Even beyond "Nobody Knows," which follows four half-siblings living without their parents, his filmography features countless examples of taking young generations as seriously as older ones in his ensembles.
One does not need to know the high ceiling of this humanist master to feel disappointed by his latest film, "Look Back," but it certainly doesn't help.
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Japanese writer-director Hirokazu Kore-eda has long made space for children's perspectives and feelings in his work. Even beyond "Nobody Knows," which follows four half-siblings living without their parents, his filmography features countless examples of taking young generations as seriously as older ones in his ensembles. One does not need to know the high ceiling of this humanist master to feel disappointed by his latest film, "Look Back," but it certainly doesn't help.
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