Kaskade and Wooli Debut First B2B at Pacha New York During ORIGIN// Tour Stop

# What happened

Kaskade and Wooli performed their first-ever back-to-back set at Pacha New York on a Thursday night during Kaskade's ORIGIN// Tour. The pairing had been billed as a genre crossover: Kaskade's progressive and melodic house catalog versus Wooli's melodic dubstep and heavier low-end work. The two artists had released a collaboration, "Hear Me Now" (with MAXINE), the week before, and that track served as the B2B's opening edit.

# How the night unfolded

Wooli opened with a focused run of melodic bass and heavy low-end selections. His set emphasized tight builds, weighty drops, and moments of melody that kept the floor engaged without losing momentum. Production featured heavy laser work that punctuated key moments and complemented the room's size.

Kaskade followed by shifting the tone toward his catalog of anthems and familiar crowd-movers. He used the venue's big screen and size to turn known tracks into singalongs while still programming newer material. Both solo sets felt deliberate rather than warm-up filler, and they established a clear contrast that made the eventual B2B tradeoffs more impactfuI.

# The B2B (Woolade) — structure and highlights

The B2B began with the collaborators' new track as an intro edit and then moved into a rapid exchange of styles and tracks. Moments called out in coverage include:

• Wooli layering Seven Lions' "Light In The Dark" under Kaskade's "Room For Happiness" acapella.
• A hard-techno flip of Benny Benassi's "Satisfaction" with stacked acapellas and bass cuts.
• Kaskade dropping the Subtronics remix of "Escape," which hit the floor hard.
• Wooli steering into his remix of "Meet Again."
• Kaskade pulling familiar crowd favorites like "Escape," "Move for Me" (bassier edit), "Last Chance," and "Turn It Down," with Wooli answering via heavier textures and rolling drops.
• Later B2B moments included an ID remix of Rihanna's "Where Have You Been," Wooli's version of Kaskade & MOGUAI's "Something Something Champs," and a closing stretch centered on the Wooli remix of Dimension & Alison Wonderland's "Satellite," with Kaskade's "Angel On My Shoulder" acapella overlaid.

# Venue and production takeaways

Production choices favored functionality over flash. The sound carried cleanly across the space without muddiness, and the big screen supported the DJs rather than competing with the music. Overall, the venue prioritized the dance floor and the musical experience.

# Why this matters for attendees

The Kaskade-Wooli pairing showed that contrasting styles can be blended in a single performance when both artists read the room and trade tracks deliberately. For attendees it delivered both melodic singalongs and heavier bass moments in a single night, capped by a late-night B2B that maintained energy through 4 a.m.

# Quick practical notes

• The B2B used the recently released collaboration "Hear Me Now" as an opening edit.
• The night featured visible laser production and a big screen behind the booth.
• The event took place on a Thursday and ran late into the night.
• Light drizzle occurred during the event but did not derail the show.