Episode 232 of Classic Camera Revival revisits infrared photography with hosts James, Alex, John, and Bill, covering available infrared-capable films, filters, colour IR options, digital techniques, and where to source film and processing in Canada.
There are no new dedicated black-and-white IR films like Kodak HIE being produced, but several modern films have extended red sensitivity into the near-infrared (around 740–750nm).
Use a deep red or true infrared filter (examples: 092/89b, 093, RM90, R72) with extended red-sensitive films to get results similar to traditional IR film.
Colour infrared film (e.g., Kodak EIR/Aerochrome and FPP Infrachrome) uses standard coloured filters rather than specialised IR filters and requires different handling.
# What this episode covers
Classic Camera Revival Episode 232 focuses on infrared (IR) photography. The hosts—James, Alex, John, and Bill—explain how IR fits into the electromagnetic spectrum and how modern film and filters can reproduce classic infrared looks even though legacy IR films are no longer produced.
# Films that reach into near-infrared
The episode notes that while classic dedicated IR films (Kodak HIE, Efke IR820, Konica Infrared 750) are not being newly manufactured, several current black-and-white films have extended red sensitivity that reaches near-IR (approximately 740–750nm). The films mentioned are:
These films can capture light beyond 700nm when paired with appropriate filters.
# Filters and combinations that work
To approximate the look of traditional IR film, the hosts recommend pairing extended red-sensitive films with deep red or true IR filters. Specific filter types mentioned include 092/89b (deep red) and true IR filters such as 093, RM90, and R72. The episode emphasizes buying good-quality filters to achieve reliable results.
# Colour infrared film and workflow differences
The group discusses colour infrared film options like Kodak EIR/Aerochrome and FPP Infrachrome. Unlike black-and-white IR techniques that rely on deep-red or IR filters, colour IR film uses standard coloured filters. That difference affects exposure, contrast, and the final colour rendering, so expect a different workflow and outcome compared with monochrome IR methods.
# Digital infrared techniques
The hosts touch briefly on applying infrared techniques with digital cameras. They do not provide a step-by-step guide in the show notes, but the mention indicates using IR filters or modified sensors remains an option for digital shooters wanting IR aesthetics.
# Where to buy film and get it processed (Canada and online)
The episode and show notes include a concise list of Canadian retail outlets and labs, plus online vendors, to help listeners source film, filters, and processing. Retail stores cited across provinces:
Online and specialty suppliers mentioned:
# Community and contact
Classic Camera Revival invites listeners to connect on Facebook (Classic Camera Revival) and Instagram (@classiccamerarevival). Comments on the post show community members sharing practical IR tips—for example, recommendations about cameras, metering, and handheld shooting techniques for IR.
# Practical next steps for a listener
The episode serves as a practical refresher on options available today for photographers who want to work with infrared aesthetics using film or hybrid methods.
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