Coltrane's 100th birthday. The pieces are personal: memories, reflections, album picks, and short essays that explain what Coltrane's music meant to each writer. The editors set loose parameters, accepting overlap when the same record meant different things to different people.
Where Coltrane began and what changed him
Sammy Stein's introduction sketches Coltrane's arc: he received his first saxophone at sixteen and absorbed influences like Illinois Jacquet. Family and church were part of his upbringing, and religion later resurfaced as a decisive force when he confronted addiction. Rather than a planned artistic subversion of jazz, Stein describes Coltrane's development as a convergence of personal, spiritual, and historical forces that shaped his sound.
Stein situates Coltrane's work within the social tensions of the 1960s. He points to Coltrane's engagement with civil rights, including benefit concerts for Martin Luther King Jr. and the composition "Alabama," recorded with McCoy Tyner, Jimmy Garrison, and Elvin Jones shortly after the 1963 Birmingham church bombing. Stein argues that Coltrane's music channeled anger, despair, praise, and worship—the full emotional complexity of that era.
Stein notes how record labels and imagery contributed to Coltrane's status. Blue Note's willingness to sign adventurous players and Francis Wolff's photography helped build the visual and commercial presence around Coltrane's music. The Free Jazz Blog feature itself is a form of commemoration: two weeks of recollections, reviews, and anecdotes intended to map the many ways Coltrane matters to musicians and listeners.