The useful part
Across these pairings, Iheka examines how African and Caribbean texts have long been in conversation, informing and reshaping one another outside the familiar routes through Western literary canons. Iheka uses these African-Caribbean encounters to question the methods through which comparative literature itself has traditionally produced relationships between texts. The book's chapters move through questions of Black world literature, the Black Atlantic, reading, trauma, and character, asking how literature is "worlded" and who gets to determine what constitutes a literary world.
How it works
- Network Forms, Planetary Politics (2021), examined the relationship between media, materiality, infrastructure, and ecological politics in Africa.
- In it, Iheka argues that comparative literature and Black Atlantic studies continue to carry what he calls an "Africa problem": even after decades of attempts to decenter Western frameworks, the United...
- The book follows the literary work and life trajectories of writers including Peter Abrahams, Chimamanda Ngozi Adichie, Maryse Condé, Buchi Emecheta, Jamaica Kincaid, Claude McKay, Dinaw Mengestu, Ferdinand...
- The book's five central chapters bring different sets of writers into these lateral conversations.
What to take from it
A Professor of English at Yale University, Iheka directs the Whitney Humanities Center and chairs the Council on African Studies. He is also editor-in-chief of African Studies Review, the flagship journal of the African Studies Association. Africa, the Caribbean, and the Making of Black World Literature will be published by the University of Chicago Press on November 9, 2026, in hardcover and paperback.
Example or evidence
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Details worth keeping
Horizontal Comparison proposes a different way of reading. Rather than arranging literary cultures along a hierarchy that places the West at the center, Iheka turns toward a South-South model, tracing the connections between African and Caribbean writing and asking what becomes visible when those traditions are placed in conversation with one another. The result is not simply another call to diversify the canon.
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