One Light, Two Completely Different Portraits
A white wall behind your subject can go pure black in the final frame, even when the light never moves.

A white wall behind your subject can go pure black in the final frame, even when the light never moves.

A white wall behind your subject can go pure black in the final frame, even when the light never moves.
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A white wall behind your subject can go pure black in the final frame, even when the light never moves.
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