JEONNAM-GWANGJU SPECIAL METROPOLITAN CITY — Pink velvet curtains frame an empty stage. There are no performers in Ru Kim's "Tails of Courage, or the Master's Pirouette" (2026), but four-channel sound gives the space its cast:
![[K-ART FOCUS] For Ru Kim, dog's escape becomes story of power](/api/proxy/image?url=https%3A%2F%2Fnewsimg.koreatimes.co.kr%2F2026%2F09%2F23%2F99c5270e-2919-40d1-bf94-331a2c8c992f.jpeg)
JEONNAM-GWANGJU SPECIAL METROPOLITAN CITY — Pink velvet curtains frame an empty stage.
There are no performers in Ru Kim's "Tails of Courage, or the Master's Pirouette" (2026), but four-channel sound gives the space its cast:
Courage, a pink dog who has escaped an oppressive master, the master, who crawls, barks and searches for the missing animal, and a restless light that seems to move with a will of its own.
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JEONNAM-GWANGJU SPECIAL METROPOLITAN CITY — Pink velvet curtains frame an empty stage. There are no performers in Ru Kim's "Tails of Courage, or the Master's Pirouette" (2026), but four-channel sound gives the space its cast: Courage, a pink dog who has escaped an oppressive master, the master, who crawls, barks and searches for the missing animal, and a restless light that seems to move with a will of its own.
A soft, fluffy carpet lies beneath shifting spotlights. As a voice fills the room, visitors are invited to picture the chase.
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